Matthew Sweet-Girlfriend

 

In 1992 I quit my LAUSD teaching job in a huff, broke up with my girlfriend and moved in with a buddy in San Luis Obispo. I was 29, and going through an ‘angry young man’ stage of moderate self-sabotage, the chrysalis before my emergence to what I am now, 30-odd years later.

In the year I lived in SLO, I worked several odd jobs, juggled girls, and was the fill in guy at KOTR, a free form FM station where Matthew Sweet’s Girlfriend was in heavy rotation. I think I was able to talk the station managers, Drew and Clam Chowder into scoring me a copy, which I played non-stop at home. It seemed to catch my mood perfectly. Guitars both jangly and jagged provided by Robert Quine, Richard Lloyd and Sweet himself, Sweet’s self-harmonizing, Lloyd Cole’s solid bass lines and Fred Maher’s inventive drumming and bright production all served what Sweet called his ‘break-up’ album, and though Sweet would have solid songs on all of his following albums, nothing matched the quality and variety of Girlfriend

The title track has everything, an acoustic guitar hard strumming, a crunching electric rhythm guitar with a lead guitar howling over both, drums and maracas playing, and then the instruments drop out and Sweet’s voice comes in with the opening line of:

I wanna love somebody/ I hear you need somebody to love.

It’s exactly what I was thinking, and exactly the way I wanted to say it.

Other tracks, like the opener Divine Intervention could have been singing right to me-“I don’t know where I’m gonna live/Don’t know if I’ll find a place,” summed up my SLO experience perfectly. The music behind the lyric, though, that was the clincher, an overdriven electric chugging through power chords in a medium tempo, an acoustic guitar matching it, with lots of sonic goodies underneath and Richard Lloyd’s guitar squealing over the top. The false fade of melodic noise also adds to this track. Some God issues, which I was also having, floated through this song and others (Evangeline, Holy War) on the album as well.

The Legacy edition includes the Goodfriends bonus disc, with two more versions (one with piano that's really good) of the title track, as well as demos and live versions of other tracks, which is almost as good, showing that even stripped down the songs hold up.

Sweet’s about my age, and, as is apparent on his “Under the Covers” series with Susana Hoffs, must have the same record collection I did. You can hear his influences-Neil Young’s lead guitar and Beatles-like harmony especially, and though it is definitely a band album, there’s a lot of things sonically happening in the mix. Songs starting as if the guys had been playing something else first and false fades are common, as well as the sound of guitars plugging in and odd percussion elements. The album rewards repeated listening with aural surprises and 30 years later Girlfriend is still my favorite.

And Tuesday Weld is beautiful.

Have I written about Matthew Sweet before? Yes I have, thanks for asking-check right here

Have I written about K-Otter before? Yep, done that too! Check here and here